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The recorded music of British popsters Kula Shaker has been largely associated with the eastern and psychedelic influences of the '60s, especially those originally introduced and employed by The Beatles.īut while it's true there are scores of sitar and tabla samples on the band's first singles "Hey Dude" and the Sanskrit-shaken "Tattva," and that the guitars sometimes sound as if they're recorded backwards, it wasn't overblown raga re-workings that blew through the house and the audience at DV8 last night it was rock. I stand for peace, love, generosity and learning.- Concert review.
KULLO SKAKER FREE
I loathe totalitarianism, far right thinking, oppression of all forms, denial of human rights and all things that would limit the free spirit of humankind. For the record I have never been an anti-semite especially as my dear grandmother was Jewish. I apologise to those who have been offended by my comment and humbly ask that they accept that I am completely against the Nazis, their crimes and any other latter-day form of totalitarianism. my comments derive from my long interest in Indian culture, from which the swastika has its origins. "I think there is no better example of my naivete and insensitivity than the swastika comments.
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He also offered an unequivocal condemnation of far-right-wing ideology. He indicated that it was the outrage that his comments had sparked that had led him to this conclusion. He indicated that he now felt that the swastika, which has origins outside Nazism and different meanings in different parts of the world, was hopelessly connected to Nazism in the West. Mills admitted having played at "Global Deception", but claimed not to have fully understood the nature of the event. Mills responded to the allegations by fax and his responses were incorporated in the article. William Cooper was also thanked in the credits of Kula Shaker's album. The article also revealed that the Objects of Desire had used the motto "England will rise again", and had performed at a 1993 conference at Wembley called "Global Deception" at which speakers included renowned conspiracy theorists Eustace Mullins (who has been denounced as an antisemite because of his writings, which he later recanted) and William Cooper. " from a January 1997 edition of Melody Maker. If we had a non-elected body that set the right standards. It was probably the uniforms that swung it," said in an interview with NME in November 1996, and "Well, we know that democracy doesn't work. The other statements quoted in the article were "You can see why Hitler got support. New Musical Express: You have a sneaking admiration for Hitler don't you? Crispian: No.but it's a shame the baddies always get the good uniforms. I mean the Nazis studied the Vedas, the Scriptures, the Holy Grail, but they were just using it as a power trip. It's like, that was Hitler, don't let him steal something like that from you. I'd love to have great big flaming swastikas onstage just for the f_k of it. It's a brilliant image, it symbolises peace and the sun and illumination – it's everywhere in India. I mean, talking about ruffling feathers with statements in magazines, I love the swastika.
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Hitler and his whole gang weren't just a bunch of f_ing psychos, they were also into magic and all that. New Musical Express: It's an obvious comparison, but Hitler was a vegetarian who had no qualms about murdering humans, babies included, by the thousands.Ĭrispian: Right, but Hitler knew a lot more than he made out. In one of the interviews from March 1997 for the NME (New Musical Express) the following was printed: Crispian: (in reference to his vegetarian beliefs that killing animals is just as bad as killing humans) The principle is we've got a violent society, we always go on about the virtues of peace but we aren't living a peaceful lifestyle On Sunday 20 April 1997, the national UK newspaper The Independent ran a front page article in which it claimed that Crispian Mills "had dabbled with Nazism and its most potent symbol, the swastika." The article drew together various comments Mills had made to the UK music press in 1996 and early 1997.